I’ve always included this as part of my creative talents,
although I must confess, it has been the least utilized. I flirted with the
idea of trying to get work in this field, but the odds are just as staggering
as getting that movie role, or selling that screenplay. In the end, I chose to
pour my efforts into those other areas.
My recent performing work in REPS Showcase radio drama
recreations such as announcer roles in A
Tree Grows in Brooklyn, Suspense
and The Halls of Ivy, and even
starring roles in productions of Superman
and, my personal favorite, the episode of Escape
called Three Skeleton Key, have made
me focus more on this aspect of my creative world.
My earliest vocal experimentation came in high school when
my pal Rich Bitting and I would voice all of the characters in plays were
recorded on a cassette deck. I developed an old man voice during those years
that later resurfaced to great comic effect in the 50-part radio series Anytown USA in 1984. This time it was
Scott Snyder and myself creating all of the male roles in this soap opera
parody, aided by two talented women: Sheri Clark and Dawn McWalter. These shows
still crack me up! When I was in the Army we would have all night Anytown parties listening (and drinking)
to all three hours of the insane series.
I tried some voice acting on The University Radio Theater productions I wrote and directed with mixed results. During this same period I worked in broadcast radio as an overnight disc jockey, a career that I could not replicate when I moved to Los Angeles. I was an okay DJ, but nowhere near good enough for the big time.
I did find time to actually study voice performance with two
great teachers. The first was Johnny Rabbit, well-remembered deejay on WXOK St.
Louis in the 1960s, whose real name was Don Pietromonaco. He
taught voice acting in Los Angeles up until his death in 1997 and was a dear
man to be around. I vividly remember his memorial service, and the kind words
Casey Kasem shared. The other man I learned volumes from was Dick Orkin, the
man who created and performed the legendary Chickenman
radio comedy series out of Chicago in the 1960s. Anytown USA owed its style and pacing to this classic series.
Whereas I have done a few voiceover bits over the years, including the new web series Creative Continuity, it is still one area that I’d love to explore in more detail and with more discipline. So, let me add that to my list of things to do…
I’m just saying...


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